What's On

Friday 26 April 2019

FROM MORIBUND TO MILLE MIGLIA - THORNLEY KELHAM RESURRECTS DERELICT LANCIA FOR WORLD’S PREMIER CLASSIC RALLY


FROM MORIBUND TO MILLE MIGLIA - THORNLEY KELHAM RESURRECTS DERELICT LANCIA FOR WORLD’S PREMIER CLASSIC RALLY


 A 1953 Lancia Aurelia B20 GT Series 3 has been given a new lease of life by leading restoration specialists Thornley Kelham. The previously decaying classic has been taken from an almost unsalvageable restoration condition to factory fresh over a two-and-a-half-year period and has now been accepted into arguably the most prestigious classic car rally of all – the Mille Miglia.
Having restored a considerable number of Aurelias in the past, Thornley Kelham’s expertise in, and understanding of these models and their intricacies enabled their team to resurrect a vehicle that many others would have deemed beyond restoration.
The 1953 Lancia Aurelia B20 GT Series 3 was discovered in incredibly poor condition in the USA, with a staggering amount of rust plaguing the car. The usual rust points of these vehicles - namely floor pans, sills and door bottoms – had been totally ravaged by years left exposed to the elements. So severe was the problem that even the top of the wings had rusted through, the transmission tunnel had completely eroded, and the body required strengthening prior to being media blasted as the car had so little structural integrity.
Despite the condition of the vehicle, Thornley Kelham’s customer was determined to see the Aurelia resurrected and play his part in saving this rare car. The tired body was fully restored, in many cases by fabricating entirely new panels. A considerable portion of the lower body had to be fabricated whilst maintaining factory curvatures and shut lines, amongst myriad other repairs before moving onto Thornley Kelham’s paintshop to be prepared and painted in the original beige colour, as per the factory build sheet.
Given the owner’s aspirations to compete in the Mille Miglia, and the awful condition of the original seat frames, Thornley Kelham fabricated a set of its Rally De Corsa style seats and also carried out a common period competition upgrades of a Nardi floor shift, Nardi bonnet scoop and Nardi twin carburettors and Borrani “bi-metallic” wheels. Every component of the car was restored or replaced over a period of two and a half years, with the end result being a box fresh and period correct Aurelia – a far cry from the condition it entered the TK facility in.
Once completed, the owner’s maiden journey in the resurrected Aurelia was a 500-mile weekend of fault-free driving, testament to the thorough road testing and quality checks carried out prior to delivery. The next adventure for the car will be Mille Miglia. Thornley Kelham will provide a dedicated support team throughout the event with two mechanics allocated to the car at all times, allowing the owner to fully focus on the joy of driving and ensuring the car remains in superb order throughout the gruelling event.




TINY CLASSIC FORD ESCORT MADE OF GOLD, DIAMONDS AND SILVER EXPECTED TO FETCH A FORTUNE AT AUCTION


TINY CLASSIC FORD ESCORT MADE OF GOLD, DIAMONDS AND SILVER EXPECTED TO FETCH A FORTUNE AT AUCTION


Warley, Essex, April 25, 2019 – If bling is more your thing than driving then this is the perfect car for you. It’ll never be roadworthy, but this Ford Escort is worth a fortune. Why? It’s a one-off 1:25 scale model made from silver, gold and diamonds.
The project has been a slow-burning labour of love for professional jeweller – and petrolhead – Russell Lord. The owner, over the years, of 55 full-sized Ford Escort cars, Lord first began work on this amazing model 25 years ago, pouring thousands of hours into completing the car.
The body is made of silver and the car also features gold brakes and spoiler, 18-carat gold wheels and bonnet hinges, 18-carat white gold front grille, 72-point diamond headlights, orange sapphire indicators and ruby rear brake lights.
“It’s been a hobby that I’ve come back to again and again but three years ago I determined to finish it. I know this car inside out – so there were no plans I just built it from the ground up piece by piece,” said Lord, from Essex, in the UK.
Based on the works rally car driven by Ari Vatanen in the late 1970s, the Mk2 Escort – which cost 90,000 euros (£78,000) in materials alone – will be auctioned on the car auction website www.themarket.co.uk on May 2, with all profits donated to charity.
Details include spinning pulleys on the front of the engine, a moving diamond-encrusted platinum gear stick and the glass windows – that involved smashing countless vases to find sections of glass with exactly the right curve.

THE CAR YEARS AIRING ON ITV4 EVERY TUESDAY FROM 7TH MAY




THE CAR YEARS AIRING ON ITV4 EVERY TUESDAY FROM 7TH MAY
Brand-new car show sponsored by Footman James and fronted by Vicki Butler-Henderson and Alex Riley to air on ITV4 at 8pm and 8.30pm on Tuesdays from 7th May
The first episodes of The Car Years, presented by Vicki Butler-Henderson and Alex Riley, will hit screens on 7th May with a double bill on ITV4. Sponsored by Footman James, the new show for petrol heads celebrates some of the most important cars in automotive history.
Enjoying a prime evening slot, the first double-bill of The Car Years will air from 8pm and continues at 8.30pm. The first instalment of six challenges lead presenters Vicki and Alex to champion what in their opinion is the best car released in 1964, Vicki makes the case for the iconic Porsche 911 while Alex thinks American muscle should win and fights the corner of the Ford Mustang.
Only one car can win, and adjudication comes in the form of three expert judges. A panel of famous faces and industry experts join the show’s cast, each doubling up as an expert commentator and helping tell the stories and backgrounds behind the stand-out cars.  The first episode sees Quentin Willson, presenter and journalist; Chris Routledge, Managing Director of leading auction house Coys and ex-Top Gear and current The Grand Tour script editor Richard Porter make the big decision on whether the 911 or the Mustang win.
Episode two focuses on 1984 and the warring presenters are challenged to pick a supercar that born in 84 but best sums up the decade of decadence that was the Eighties.  Vicki opts for a turbo-powered Group B rally-ready Ford RS200 while Alex champions Miami Vice favourite the Ferrari Testarossa.  The winning car is chosen once again by Chris Routledge and Richard Porter this time joined by former F1 star, journalist and broadcaster Karun Chandhok on the expert panel.
A perfect fit for one of the leading classic vehicle insurance specialists, Footman James Managing Director, David Bond explained why The Car Years is a sure-fire hit, “Vicki, Alex and the rest of the presenting team make the show. The programme has the right balance of learning about what makes these iconic cars special and the stories behind how they came to life, delivered with beautiful photography and humour. I challenge everyone to watch the first episode and not head straight to the classifieds.”
After appearing on the Footman James stand at last month’s Practical Classics Classic Car & Restoration Show, co-presenter Alex Riley explained why car fans should tune to ITV4 at 8pm on Tuesday 7th May, “I can’t think of another show that’s so totally focused on the cars… because we’re not buying, selling, or restoring, we can really go to town telling their often surprising stories. Add in gorgeous photography and brilliant archive footage and it’s a feast for the eyes.”
For more information on The Car Years, please click here.

Wednesday 24 April 2019

THE PINNACLE OF 1960S LUXURY ON OFFER FROM DM HISTORICS



THE PINNACLE OF 1960S LUXURY ON OFFER FROM DM HISTORICS


One of only 107 H.J. Mulliner-bodied Silver Cloud II produced and one of just 32 right-hand drive examples

Nothing epitomises British luxury like a 1960s Rolls-Royce, and DM Historics are offering one of the finest on sale today. This 1960 Drophead Coupe Silver Cloud II by H.J. Mulliner is an incredible combination of original components and carefully restored features.
The car was one of two highly specified examples ordered new by South African entrepreneur Max Wilson and sent off to renowned coachbuilders H.J. Mulliner for bespoke coachwork.
This particular Drophead Coupe is one of only 32 right-hand drive variants ever built, and astonishingly keeps the majority of its original parts – making it an authentic specimen, ideal for any enthusiast. DM Historics have gone to great lengths to preserve the character of this rare machine, whilst also giving the car a new lease of life.
The exterior of the vehicle has been refinished by the in-house paint team, taking it back to its original Shell Grey with stunning hand-painted red pinstriping along the coach lines. Its original exterior fittings have all been re-chromed to their former glory - with each of the bumpers, over-riders and light surrounds returning to how they left the Chiswick coach workshop.
The interior has been fully retrimmed in sumptuous red leather, the car’s factory interior colour, with grey carpets and red power hood. The original burr walnut dashboard presents in superb condition with a deep shine throughout.
As with any Rolls-Royce, the Silver Cloud provides its pilot with a wonderful sense of occasion. It wafts effortlessly on its 15” whitewall tyres over country and city roads alike, adding an unparalleled touch of class wherever it goes. Complete with an extensive history file, featuring copies of the factory build sheets outlining all options and signed by Max Wilson, and presented in on-the-button condition, this Rolls-Royce is listed at £345,000.
Founder Marcus Holland commented: “It was a real pleasure to return the car to its former glory, and we are proud to now offer this Rolls-Royce Drophead Coupe Silver Cloud II for sale. These cars truly offer unparalleled experience and we look forward to passing the car on to a new custodian.”
The DM Historics showroom is packed with a plethora of other stunning classic automobiles. An exquisite 1954 Aston Martin DB2/4 Mk1 sits alongside a stunning 1965 FIA-Spec Ford Lotus Cortina Mk1, finished in the iconic Ermine White and Sherwood Green and with its factory original twin-can Lotus engine, also on offer from the Kent dealership. A 1974 Aston Martin V8, 1974 Fiat X1/9 Group 4 rally car and a 1972 Range Rover Suffix A are also up for sale and available for test drives.
DM Historics is an industry-leading restoration specialist and classic car dealership based in the Kent countryside. With an experienced workshop team in-house, DM offers a complete concours-standard service from sales to ground-up restoration, with recent concours showings from Salon Privé to Pebble Beach.

Monday 15 April 2019

THE BIG QUESTION: WILL WE STILL BE ABLE TO DRIVE IN 20, 30, 50 YEARS?


THE BIG QUESTION: WILL WE STILL BE ABLE TO DRIVE IN 20, 30, 50 YEARS?
FIVA (the Fédération Internationale des Véhicules Anciens or international federation of historic vehicles) poses the biggest question facing the historic vehicle community today:
In 20, 30, 50 years’ time, will we be allowed to drive historic vehicles at all?
“We can’t afford to be complacent when it comes to our future motoring freedom,” says FIVA President Patrick Rollet. “Congestion, pollution and road safety issues – all legitimate concerns – are contributing to the potential demise of motorists at the wheel of their own vehicles. Yet it’s the historic vehicle that is most at risk, despite their almost negligible effect on pollution and congestion, and our excellent safety statistics – while generating significant economic, social and tourism benefits.”
…and will there be people to drive them?
“But it’s not just a question of whether we’ll be allowed to drive. Perhaps the even bigger question is whether there will be drivers to use them; or, with the advent of autonomous vehicles, are drivers becoming ever more ‘historic’ themselves?”
Why does it matter?
“For the enthusiast, the answer is obvious,” continues Rollet. “The pleasure we get from owning, maintaining and using our classics is beyond description, but there’s a far wider social importance to keeping historic vehicles on our roads. They are part of our technical, scientific and cultural heritage (as the partnership between UNESCO and FIVA demonstrates) and the world would be a poorer place if such vehicles could only be seen in static museums.”
What can be done?
“The future of historic vehicles isn’t simply that of used vehicles, but of recreation and pleasure; ownership isn’t based on economics but on passion,” states Rollet. “We see several simple steps to help us keep driving, 50 years from now.
“First, we must target the young. Clubs around the world are arguably in the last throes of a golden age, seeing a sad decline in new members because of the lack of younger people. Young petrolheads still exist, but all they need to organise a gathering are a few Facebook messages: no road book, rally plates or fuss. Likewise, they use their informal network to find a mechanic or surf the web for parts, so why join a club?
“Too many clubs ignore these profound technological and sociological changes, mismanaging their efforts to attract young people, to welcome them and satisfy their desire for informal, fuss-free events. Many clubs ostracise youngtimers, both vehicles and members. They organise hidden outings, almost out of sight, whereas a display of historic vehicles offers a marvellous museum in movement – free of charge – to delight and fascinate passers-by.
“We won’t renew our numbers waiting patiently for them to come to us because, like Godot, they will not come. We must change our habits: create a ‘young’ section in the club, run by a younger person, to design simple, dynamic and fun outings; ensure there are several under-40s on the main committee; enjoy the Vintage movement (fashion, accessories, etc.); organise free presentations at events – with commentary – for the public; team up with popular events run by others (planes and old cars, rail and yesterday’s road…); exhibit at hypermarkets or fairs, wherever there is an audience, especially young people. We must show our vehicles.
“Next, we must tell a story, because every historic vehicle has a fascinating tale to tell, of much more interest to the general public than the cubic capacity or a number of valves.
“And it’s vital that we avoid being too narrow in our definition of historic motoring. You might only be interested in Vintage Bentleys, but please don’t criticise your neighbour’s passion for mopeds, or microcars, or buses, or customised American muscle cars in fuchsia with turquoise stripes. They’re all an important part of our history, our culture, and the rich diversity of classic vehicles on our roads. No one disputes the value of authenticity – and FIVA will continue to applaud it – but beware the risk of seeming elitist, when young people often want to own a historic vehicle simply because it is different: quirky, unique, even iconoclastic.
“At a recent seminar, Michael Abele, in charge of social networks at Mercedes-Benz Classic, proposed an answer to the authenticity-vs-inclusiveness debate. Indicating a 190E with big chrome wheels and low-profile tyres, he suggested, ‘Don’t criticise; respect. Listen… and then educate’. Very wise advice.
“Finally, and above all, keep enjoying your motoring, and communicate that pleasure to others, because it’s down to us, as individual enthusiasts, to ensure we don’t lose the right and the ability to drive on the roads 50 years from now.”
How is FIVA doing its part?
NataÅ¡a Grom Jerina, chairwoman of FIVA’s Culture Commission, explains a little of what FIVA itself is actively doing to keep us on the road:
“The work of the Culture Commission, whose members come from many different parts of the world, is extremely varied, including the preparation of articles and publications, co-organising seminars, forums and symposiums, and launching projects such as FIVA’s Culture Awards. We also work with such organisations as UNESCO, TICCIH, ICOM, ICOMOS, along with governmental organisations, automobile manufacturers, designers, engineers, collectors and museums.
“Here is just one, very small example of our recent activity: in Serbia, we are working with a group of libraries and schools to collect old family photographs for a local exhibition on the social and economic development of the town – a town that happens to have a history of vehicle production. It’s a tiny step, but it helps to generate interest in vehicles as cultural artefacts. And we’re learning to focus more on women, too: women as collectors, supporters, promoters, riders, mechanics, engineers, designers – and mothers, who then introduce their children to the joys of historic motoring.”

Monday 8 April 2019

MOTORCYCLE ACE ZEF EISENBERG SETS NEW FLYING MILE RECORD AT WORLD-FAMOUS PENDINE SANDS


MOTORCYCLE ACE ZEF EISENBERG SETS NEW FLYING MILE RECORD AT WORLD-FAMOUS PENDINE SANDS
Motorcycle ace Zef Eisenberg sets new Flying Mile record
Record-breaking racer Zef Eisenberg survived a 195mph scare to establish a stunning new benchmark for the Flying Mile at Pendine Sands in South Wales. Riding a specially made 400bhp supercharged Suzuki Hayabusa that was built and prepared by Eisenberg’s MADMAX Racing Team, he set a two-way average of 182.40mph on Saturday 6 April.
In 1927, Sir Malcolm Campbell reached 174.8mph at Pendine in his iconic aero-engined Blue Bird. That record was unbroken until 2015, when actor Idris Elba achieved 180.361mph along the historic beach in a 650hp Bentley Continental Super Sport twin-turbo W12 – yet the intrepid Eisenberg needed only a single run in both directions on the ‘Green Monster’ to surpass them both, with a rear tyre that was found to be falling apart after the first run!
“The bike had been spinning the rear wheel for two miles at 240mph,” explained Eisenberg. “We were using a GP racing tyre, too – the best you can get, but I assume it’s not used to that much power or wheelspin. That’s why these records are so hard to achieve. You’re pushing human and engineering boundaries.”
The MADMAX team fitted a new tyre during the permitted one-hour turn-around time, enabling Eisenberg to complete his return run and establish the new record. For the third run, a harder compound of tyre was used, but the extreme demands of running at maximum rpm for nearly three miles – and constant wheelspin at such high revs – took its toll on the motorcycle’s highly stressed engine.
“I was doing 195mph approaching the end of the mile,” said Eisenberg of the moment the engine blew, “and my helmet visor and leathers were sprayed with black engine oil, obscuring my vision. I lost sight of the finish flags, but I couldn’t just slam on the brakes due to the sand. Fortunately, I managed to keep it straight and bring it to a stop.
“Then I noticed engine oil spraying onto the hot exhaust, but unless I jumped off and dropped the bike, I couldn’t get off because I couldn’t put the kick-stand down on the sand! Luckily, the oil never caught fire on the hot exhaust, as the bike would have burst into flames…”
The critical engine damage prevented Eisenberg and the MADMAX team from achieving their ultimate goal of 200mph for the Flying Mile, but they’d already done enough to break the all-out Flying Mile record for ’bike and car.


They will be back at the legendary venue during the Speed Week on 18/19th May with their 1200bhp Porsche Sand Racer. Painstakingly developed from a 2015 911 Turbo, this extreme machine will be driven by Eisenberg in an attempt to break the outright Flying Mile record.
His goal will also be to establish a new benchmark for the highest speed ever achieved at Pendine by a wheel-powered vehicle – a record that Eisenberg currently holds at 201.5mph on the MADMAX ‘Green Monster’, making the Suzuki the fastest-ever motorbike on sand.

Wednesday 3 April 2019

VOLUME 3 OF 5054 MAGAZINE GOES ON SALE


VOLUME 3 OF 5054 MAGAZINE GOES ON SALE
Volume 3 of 5054 magazine is now on sale as a high-resolution PDF at www.5054magazine.co.uk
The motive culture magazine has been reinvented as a high-resolution, digital-only publication, and the new issue is available now. In addition to slashing the price from £12 delivered in the UK to just £4.50, 5054’s new format is intended to better showcase the magazine’s photography and high-quality graphics.
‘I was very happy with the quality of writing and originality of the first two issues, which is what 5054 was intended to be all about,’ said founder and editor Hilton Holloway. ‘It features the sort of content, insight and illustrations you won’t see anywhere else, with long reads of the kind that have vanished from mainstream automotive magazines.
‘However, the increasing cost of postage and the fact we were also selling the magazine globally – often via unreliable delivery chains – was clearly a significant hurdle for a print-only future.
‘But there’s another reason for going to a high-quality digital format. The photography and illustrations are now more vibrant and detailed than print could allow, even with the very high-quality processes we used for Volumes 1 and 2.
‘For example, the Trojan handbook featured in this issue is nearly 100 years old and yet it absolutely shines out in high-resolution. For a magazine dealing with the glory of engineering, digital makes a great deal of sense.’
Volume 3 of 5054 has a British theme, built around the best analysis you will ever read on the great British Leyland disaster. The piece is adapted from Daniel Cohen’s degree dissertation, which received a distinction last year. He spent months in the National Archives, studying the events through official Government records.
Another highlight are the anonymously supplied Rover Group documents from the very last days of active BMW ownership, and they give a definitive insight into why the German carmaker bailed out 20 years ago. Richard Bremner’s Morris Minor ‘barn find’, meanwhile, is just the kind of deeply fascinating and richly illustrated feature you won’t get anywhere else.
Fans of print need not be disappointed, however. We can print Volume 3 to order in batches of 100. Dedicated magazine aficionados can send a message of interest via the 5054 website.




Tuesday 2 April 2019

STEERING MATTERS - WHY IT’S TIME TO GIVE MOUNTNEY A TURN



STEERING MATTERS - WHY IT’S TIME TO GIVE MOUNTNEY A TURN
Classic car enthusiasts talk incessantly about engines, suspension, tyres, etc., yet discussions about steering wheels are few and far between, which is strange when you consider they are the one item that’s used throughout every journey and are something drivers certainly wouldn’t get far without. However, it’s good to have the option of an alternative to a car’s standard issue, either because of normal wear and tear or simply to enhance the look of the vehicle’s interior. This is why British Motor Heritage’s online store, Motoring Classics, contains a wide selection of Mountney replacement steering wheels and related boss kits to suit a large number of collectors’ cars and pockets.
The wheels range from a semi-dished leather-rimmed Classic model of 12, 13, 14 or 15 inches diameter for just £56.00 inc. VAT, to a semi-dished riveted woodrim Traditional product in 13, 14 or 15 inches diameter for £105.00 inc. VAT. The related boss kits are finished in black or chrome and cost between £28.80 and £34.20 inc. VAT, so the total investment required to transform one’s primary link with the road can be less than the cost of one tyre.
Why choose Mountney? Based in Leighton Buzzard, Bedfordshire, this well-known British company has almost three decades experience of sourcing, designing and manufacturing classic car parts, all of which conform to the highest standards required (e.g. BSI, TUV and ISO where applicable).
For further information on the Mountney steering wheels available through Motoring Classics, plus all the other quality parts, car care items, clothing, luggage, hampers, key rings, watches, travel accessories, models etc. available from British Motor Heritage’s online store, log onto www.motoringclassics.co.uk.

THE HERITAGE HUB: AN INNOVATIVE SPACE DISPLAYING THE GLORIOUS STORY OF FCA’S HERITAGE


THE HERITAGE HUB: AN INNOVATIVE SPACE DISPLAYING THE GLORIOUS STORY OF FCA’S HERITAGE



Today sees the opening of the Heritage HUB, in the fluid and creative space of the FCA Heritage department. This recreated site is not simply intended to provide a modern and stimulating work setting: it works as a multi-purpose space designed to offer a narration linked to a historic territory, where FCA Heritage can best express its mission: the preservation and promotion of FCA’s heritage of classic Italian brands.
The Heritage HUB opens in an evocative but highly evolved building, where interaction and connectivity add a new look to the glorious history of Fiat, Lancia and Abarth – the brands most closely linked to the Turin area – and also of Alfa Romeo. It is set in the former Officina 81 site in Via Plava, part of the huge industrial area of Mirafiori, a historic mechanical manufacturing complex.
The original building has been subjected to a careful conservative restoration which respects its industrial nature: the historic mustard and green colours, the cement flooring and the latticework effect of countless metal pillars. The HUB contains all FCA Heritage’s services and product activities, and the exclusive display space for the “Reloaded by Creators” project, which certifies and restores all the original beauty of many vintage models, and prepares them for sale. The most thrilling surprise, however, comes from an overwhelming display of cars: the 15,000 m2 of the Heritage HUB has over 250 vehicles on show.
These are authentic jewels of the FCA Heritage collection – some never before exhibited – which transform this place into an educational and emotional temple: not so much a traditional museum space as a three-dimensional archive in constant growth, and an incubator of ideas to be enjoyed on guided tours. The central area features eight thematic exhibitions, each of which highlights eight cars from different eras and brands: the oldest dating back to 1908, and the most modern to 2008.
This display will soon be open to the public, and on the occasion of its press presentation on the 2nd of April, it makes its debut on the portal in FCA Heritage the new “Brand” section, which describes brand histories in terms of industrial development, logo evolution, key contributors and key models.
Theme Areas
Archistars
This theme area focuses on motorcar architecture when a new project was significant above all for the functional and manufacturing needs it was designed to satisfy. The Lancia Lambda is a prime example. It was the first car in the world based on a supporting unibody, the pride of Vincenzo Lancia and the Lancia Flavia, the first Italian model equipped with front-wheel drive and disc brakes on all four wheels. Numerous Fiat creations designed for the family are featured: from the Fiat 500 Topolino A designed by Dante Giacosa on his debut to the 600 – the family car par excellence in the years of the Italian economic boom -– up to the Fiat Panda and Uno, two of the most important modern utility successes. These are all cars which have remained in the collective imagination because they represent original and innovative developments, examples of creative expression plus constantly evolving methods and techniques.

Concept and Personalised cars
The cars collected in this section show original bodywork and fittings and shift between dream car utopias and the more concrete dimension of concept cars and custom-built cars, part of Italian body shops’ tradition of creating personalised and unique cars. This thematic island therefore boasts some very different examples: the Fiat 130 Familiar and Panda Rock Moretti – both of which belonged to members of the Agnelli family – featuring highly special fittings on standard models which also modified usage options, the Abarth 2400 Coupé Alemanno by Carlo Abarth, and the precious Lancia Astura Farina and Flaminia Coupé Loraymo.

Eco and Sustainable
Spotlight on the Fiat Group projects which since the early 1970s have prioritised environmental issues, with the aim of creating vehicles that limit their ecological impact during manufacture, use and disposal. Following an approach focused on the economy of use and optimised production methods, Fiat has carried out research programs which have led to the development of solutions and technologies and then gradually transferred them to its entire range. Prototypes of compact electric cars also stand out, such as the X1/23 of 1974 and the Ecobasic of 1999, an engineering jewel in terms of both engines and components.

Epic Journeys
A motorcar is not just a simple means of transport: over the decades, driving has acquired an anthropological dimension, evoking ideas of freedom and independence. Driving by car can mean escape, adventure, thirst for knowledge but also challenge and competition. Achieving new driving feats is the best way to check the functionality of each model and its components: it tests its operation under extreme conditions, prevents possible anomalies and demonstrates its reliability. This section includes a selection of cars which have been protagonists of extraordinary adventures: for example the Fiat Campagnola AR 51 that drove the length of Africa from Cape Town to Algiers in 1952 in a record 11 days, or the Fiat 1100 E which in 1953 completed the first single-driver around the world tour, covering over 72,000 kilometres. Then there was the Fiat 124S which in 1970 reached the North Cape in 50 days from Cape Town, the Fiat 131 Abarth Diesel that in 1977, before its commercial launch, won the London-Sydney raid. Or the Lancia Delta HF Integral Group A winner with Miki Biasion and Tiziano Siviero of the Safari Rally in 1988, and the 500 Overland which in 2008 retraced the path of the iconic "Beijing-Paris" event, following the Overland caravan.

Records and Races
Competition has always been an ongoing stimulus for designers and technicians: to achieve ever higher levels of performance, to develop more efficient and reliable engines and mechanical and electronic devices, and to refine bodywork aerodynamics. This section features cars that have left their mark through participation in speed and duration races or achieved successful attempts at breaking world records. The two oldest cars, the Fiat S61 and the 12HP "Alfa" Sport – a competition version of the first car built by Lancia – were both produced in 1908. Alongside these models is a Formula 1 Lancia D50, three of the most glorious record-setting cars built by Abarth in the 1950s and 1960s and two Endurance race champions: the Lancia Beta Montecarlo Turbo and the LC2.

Small and Safe
A theme on which both Fiat and Lancia brands have always worked since the early 20th century. For example, in 1933 the introduction of the supporting unibody on the Lancia Augusta – the first closed car in the world to adopt this revolutionary patent – contributed to an increase in torsional rigidity and greater safety in the event of a collision. The same innovative architecture was used in the Lancia Ardea, produced from 1939, and combined with independent front wheel suspension, thus further benefitting road holding and dynamic performance. Fiat’s research into safe and compact cars can be seen in various interesting prototypes such as the Fiat City Taxi (1968), a vehicle for public use with an unusual asymmetrical lateral flank, and the ESV 1500 and ESV 2000 models, both specifically designed to analyse safety and resistance in the event of a collision.

Style Marks
This section contains various cars from different eras which, thanks to their characteristics and personalities, effectively expressed the identity of their respective brands at the time, introducing innovative stylistic contents which later became widely shared trends. In other words, cars that have become part of the collective imagination, representing milestones and key references in the field of motorcar design. The Lancia Aurelia B20 stands out as an archetype of the Gran Turismo touring sedans, foreshadowing the "vintage" phenomenon through its renewal of past forms and typologies, as in the case of the Fiat Barchetta.

The Rally Era
Rally is a discipline that excites millions of enthusiastic followers all over the world, attracted by the audacity of pilots as they conjure up speed and dexterity in extreme conditions, from snowy peaks to arid deserts. These adverse conditions have made the world of motor rallies a tough and selective testing ground for the most ambitious technological challenges. Naturally, the Lancia, Fiat and Abarth brands have never shied away from these challenges, and have carved their names on the most prestigious winner’s trophies. This Heritage HUB theme area, therefore, boasts the Lancia Fulvia HF 1600, which won the 1972 Monte Carlo Rally, the futuristic Stratos HF, the victorious Delta HF and the Fiat 124 Abarth Rally and 131 Abarth Rally.